2012 Indie Recordings

 

It was only a few weeks ago that I found out what RNA was. The not so popular cousin of DNA, RNA is another complex strand of gibberish that encodes our genetic information. The only reason I know this is because my father’s girlfriend’s daughter (I know…) just moved to France to continue her research on the subject. To me it all sounded very boring. A science so complex it’s easy to get lost in the details, but to those who actually study it can appreciate the differences and their importance. Read the rest of this entry »

“Break downs? Really?”

2011 Equal Vision Records

 

Having been a huge fan of their 2009 EP release “As I Grew” I was excited to stumble across the full length release from Life On Repeat. With genre’s like “alternative post screamo-core” there are dozens of bands to choose from, most of them suffering from hair-metal syndrome (you know, when “hardcore” fans know and love every single one, but the casual listener would never be able to tell them apart.) What I loved about Life on Repeat, was that their music was catchy, but still dark, moody, and innocuously complex. The musicianship was there, but it wasn’t flagrant or overly polished.

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2011 Paper Garden Records

 

Every once in a while a record comes along that absolutely blows you away, and sticks with you for the rest of your life. One of those albums that no matter the time or the place, you can put it on, and get lost in the music. For me that album was Alcoholic Faith Mission’s  2010 release “Let this be the Last Night We Care.” So needless to say when I heard that they were releasing another full length the very next year I was very much looking forward to the release. Sometimes you just want to get lost in an album. AFM has always been an easy band to do that with given the musical oceans they create, slowly pulling you out to sea with the undertow of their very coral choral approach.

My cruise had been cut short however, after the awkward achapella intro to “Ask Me This.” The synthetic sounding production of “Alaska” thumped deeper bass through my car than the Yelawolf album I had just reviewed, and had rattled me awake from the musical coma I was hoping to experience on my long commute to work. Ignoring a strict rule of mine on first listens, I jumped ahead a track, onto the album’s first single “Into Pieces,” a frantic piano and vocal pairing that still weren’t exactly what I was looking for. Ignoring yet another hard rule, I searched my player for something else to listen to.

I was angry. I felt betrayed. What have they done? What happened to the band I so loved? What is with all this…sound?! Later that night I sat down and listened to all of their previous releases straight through. (Except for the EP…I don’t do EPs.) When the final notes of “Honey Drip” faded out, I knew that the only thing left was “Ask Me This.” So with a bit of reluctance, I pulled it up on my computer, and put my headphones on. Truthfully I was a bit ashamed of myself, and one rule I knew I had to stick by was never give an album a poor review based on an album before it. It was with that I cleared my mind of all the songs I had listened to thousands of times and took in “Ask Me This” as if it had been written by a band I was hearing for the very first time.

Once I was able to put my expectations on the shelf, I really fell in love with “Ask Me This.” For a listener it’s important to have music make you feel a certain way, so you always hope new albums recreate those feelings of old. BUt the worst thing for an artist is writing the same album over and over again. “Ask Me This” is actually a very natural progression of the Alcoholic Faith Mission sound. There is certainly a slightly more “polished” feel, but there are still unbelievably sentimental moments such as the album’s title track and “We Need Fear,” which relies heavily on the AFM tradition of long, sweeping, layered notes. The added musicality (particularly found nearer the start of the album) grabs the listener’s attention, and draws them in. And once you’ve been drawn to the light like a moth to a flame, you are slowly whisked away into that old familiar place of musical lusciousness.

The songs on “Ask Me This” are certainly a bit more “concrete” than previous albums, which for first time listeners is probably a better gateway to the Alcoholic Faith Mission sound, as opposed to the seemingly never ending “My Eyes to See” and of course the nearly 11 minute “Sweet Evelyn.” And though I don’t think any moment in music will strike a chord in my heart quite like “Sobriety Up and Left” there are certainly many “mmm yes” moments on “Ask Me This.” The album does have peaks and valleys, which is appreciated for it keeps you from falling on your face, though as a whole I think the more “upbeat” songs outweigh and outrun the dreary and somber. I still feel as the very electric and bassy “Alaska” is a bit out of place, but maybe that’s a taste of the future Alcoholic Faith Mission, which if it’s the case, I promise to move forward with open ears, and at the end of the day I’m happy to say this band hasn’t ever put out a piece of music I didn’t like.

 

For Fans of: Kings of Leon, Radiohead, Ben Folds

Stand Out Tracks: Into Pieces, Ask Me This, I’m Not Evil

Overall Rating: 8.0 out of 10

 

 

 

 

 

 

 

2011 Shady Records

 

My first introduction to Yelawolf was as a guest on the Big Boi track ” You Aint No Dj.” Immediately I knew there was something different about Yelawolf. After seeking out some of his own music, it was clear that this young artist was still trying to identify himself in the rap world, but his unique blend of Alabama country slang, gutter punk attitude, and lightning fast raps was clearly something exclusive to him. I’d never heard anything quite like it.

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2011 Bar/None Records

 

There have bands throughout the years who have succeeded because of their unorthadox approach. Despite going against conventional wisdom, it is actually the oddity of these musicians that make them so popular. Billy Corgan, Anthony Kiedas, Zach De La Rocha, none of them would make it far on an episode of American Idol (or is it the X-Factor?) But without these memorable frontmen, their respective bands wouldn’t be what they are and were. While I don’t think The Front Bottoms will ever reach the same level of infamy as Red Hot Chili Peppers, it is, like those unique few who have come before them, the irregular approach to making “terrible” vocals the reason you listen, again and again and again and again.

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Album Review: Helms Alee- Weatherhead

Posted: 19th August 2011 by Tony P in Music

2011 Hydrahead

As we continually dig deeper into the evolution of science and technology, what is it about the raw and dirty that we begin to love so much? Perhaps it is the desire to remove ourselves from the clutter we create with all of our gizmos and gadgets. Whatever the reason, Alee’s grit certainly will fill your cup if unfiltered is your thing. The riffs sound like they are coming out my mid 90s tape deck when I used to plug my guitar into it and turn the volume all the way up, because my parents couldn’t afford to buy me a real amp. This bodes well with the bombastic percussion and the lacksidasical stream of vocal melodies and general airiness of the music.

The band doesn’t seem to fall into any of the typical stereotypes of a post-hardcore or stoner rock groups. Although meloncholy, the music never appears overly serious, as if you can tell from the notes that the players have a good sense of humor. Simmering strings are met with bottomed out chugs, and at times even ghastly (or maybe ghostly?) singing. The continuity of the album seems lacking, but as a listener this for once in my life doesn’t bother me. The music has no expectations for itself, and therefore has no boundaries. Helms Alee doesn’t play by the rules because they got rid of the rules, often forgoing vocals for long periods of time, yet not filling the gap with over the top layers and arrangements. “Anemone of the Wound” being an excellent example of this, a 2+ minute track with  nothing more than a guitar and a bass playing along, and this instrumental is not an island amongst lyrically dense songs either.

The really gratifying sections require patience, sometimes coming only after 2-3 minutes of spartan instrumentation (see: “Mad Mouth”). Helms Alee rewards patience with addicting and crushing riffage that you’ll be craving to hear over and over again. Interestingly all three of the members in Alee sing, another peculiar trait for bands of this genre (wait, what genre is this again?).  The blending of different voices keeps on pace with the varied sounds and moods strewn throughout the album.

While some listeners may find it difficult to make it through all 14 tracks due to the long gaps in “action,” and the up and down tempo of the songs, if you have some time to let your mind go, this album can transport you on a wild ride, dragging you through mud and pulling you along the stars. As humans we are always trying to categorize, group and define, but with Weatherhead, I just can’t seem to do it. It’s truly an album best listened to, rather than read about.

 

For Fans of:  Baroness, Kylessa, Mastadon

Stand Out Tracks: 8/16, Revel!, Weatherhead

Overall Rating: 7.0 out of 10

2011 Half Life

 

Just north of our border, the great land of Canada sprawls far and wide, with more wild life and wilderness than people. A surprising hotbed of amazing music, this amalgamation of American pop-culture and French heritage has produced prominent artists from just about every genre. Despite achieving astounding success in Canada, hip-hop all star Classified is surprisingly underplayed and under ground in the land of the Red, White and Blue. Now, on his 14th album this rapper/producer proves he’s still got what it takes to be a name in the game, regardless of where he’s from.

After releasing 14 albums any artist would probably have a lot of fans, and just as many, if not more, haters. There is probably also a lot of variety in what people consider his best album, best song, etc… Classified released his first album in 1995, a decade in a half ago. Hip-hop was certainly in a different place then, and his experiences through the shifts in the genre certainly shows on “Handshakes…” which in summation is a refreshing recanting and reflection of his current life, and how far its evolved beyond the stereotypical hip-hop image. It seems that there is no topic too personal for the Canadian MC (“every shirt in my closet got vomit, chocolate and baby food on ‘em.”) discussing family life, his heavy use of marijuana, and his futile attempts at kicking the habit. This realism is a breath of fresh air after being bombarded by the “ring tone rap” that has dominated the genre for the last half a decade. It says something about the state of hip-hop when someone would rather hear about baby formula than indiscreet activities inside a club.

Another special talent Classified possesses is that he not only raps, but produces his own beats. Hip-hop is unique in that many rappers don’t produce their own music. Consider if Brandon Boyd of Incubus sang, but hired someone randoms to provide him with the music for which he could sing to. Not only does Classified produce his own music, but the production is good. Nearly every beat on “Handshakes” is catchy, addicting and moving. Instead of relying on one sound like most rappers, the 14th release from this Red Leaf lover offers up a variety of sounds. Tracks like “Unusual,” “The Day Doesn’t Die,” and “Hangover” are reflective, pensive, and emotionally charged, while there are harder tracks for the hip-hop head bangers like “That Aint classy,” “Danger Bay” and “Passion.” Each track possessing it’s own subtly genius word play, well thought out hooks, and earning it’s place on the record.

Like most hip-hop releases the album is lengthy. Worth a mention is the fact that out of the 15 tracks, all are songs (no skits!) and there is absolutely no filler. Never is there a moment where you listen to a song and think “this is here just because.” Even in the face of self-deprecation, Classified holds his own. Mentioning fading freestyle skills, creative droughts, and a nauseating reaction to the discussion of the record industry, this Canadian composer seems to be able to over come his personal and musical hurdles to provide a highly entertaining and enjoyable hip-hop album. There is a thin line between creative story telling using rhymed verse, and simply telling a story (A line often too blurred by acts like Sage Francis, and Atmosphere), and Classified walks it well. There is substance to his lyrics, but never so much so that we forget that we’re here listening to have a good time. While longtime fans may not find it to be his best, there is no doubt that this is a solid album, start to finish.

 

For Fans of: Brother Ali, Joe Budden, Sage Francis, Atmosphere, Eyedea and Abilities,

Stand Out Tracks: Maybe It’s Just Me, The Day Doesn’t Die, Danger Bay

Overall Rating: 8.0 out of 10

Gear Review: Archos 5 Tablet

Posted: 6th May 2011 by Tony P in Uncategorized
Tags: , , , , , ,

 

The internet has revolutionized the way the world works, for better or for worse, we are forever changed by it. As time goes on, companies continue to create new ways to stay constantly connected to the web. First was lap-tops and wifi routers, which allowed us to roam around our homes or restaurants and other businesses without needing to by physically connected via cable. Of course with most technology trends the game becomes “how small can we make it.” With lap tops becoming lighter and more compact. Next came the mobile phone, which evolved into the smart phones we had today. Then “netbooks” (just really small, and ultimately not very powerful laptops). And now what we’re here to talk about today, the tablet. I’ve been very critical of the tablet. Personally I don’t see much use for it. We can thank Apple for this though, because today when they move, everyone else reacts. It’s laughable that you can buy kits for a tablet to hold it on a stand and hook a keyboard to it. But getting to the point, I didn’t purchase the Archos 5 for its tablet capabilities.

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2011 Wind Up Records

 

Bayside has four members, and although the band has gone through a series of former members, from the original group Anthony Raneri is lead vocalist and plays rhythm guitar and Jack O’shea is on lead guitar and also vocals.  Both have carried the band through all five album releases.  Additionally, Nick Ghanbarian is the bassist contributing to the four latest albums but not included on the first album Sirens and Condolences.  Chris Guglielmo is the newest member and responsible for percussion and drums on the last three albums.  Killing Time is the first album that the group has released with Wind Up Records. Read the rest of this entry »

2011 Magic Marker Records

 

What is talent? Is it technical proficiency? Is it creativity? Are both traits required to be considered talented? Despite growing to love indie music more and more over the years I still feel the genre is used as an excuse for people to make crap music. Taking a look at BOAT’s sophomore release “Dress Like Your Idols” I wasn’t quite sure what to expect. If you hadn’t noticed the cover is a parody of several semi-famous album covers ranging from Pearl Jam to the Ramones. The album title itself lends to the idea that this might be some kind of homage being paid to the band’s musical influences. But the music goes beyond any genre labeling, it goes beyond any tag list of soundalikes. “Dress like your idols” may be a tribute of sorts to those who came before BOAT, but  it’s not their ability to create sounds that makes BOAT special, it’s the feeling and imagery they create that makes them talented. Read the rest of this entry »